This paper explores how dancehall lyrics reproduce heterosexist and homophobic discourses in the LGBTQ community within a Caribbean dancehall context. It advances notable scholarship (Chunnu 2021. Hope. 2021) on dancehall lyrics by drawing on standard parallels of the colonial same-sex practices used to denigrate enslaved Africans and the Eurocentric religious ideal that LGBTQ customs... https://www.footballmediaservices.com/product-category/mig-consumables/