This article follows the lead of Richard Dyer and Devon Carbado in naming whiteness as a racial identity and uses intersectional analysis to explore Jacques Audiard’s depiction of race and gender in Dheepan and The Sisters Brothers. Both movies depart from the gender norms of earlier Audiard films by doing away with female saviors. so making male protagonists responsible for controlli... https://parisnaturalfoodes.shop/product-category/moroccan-moon-conditioner/